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Cross-dressing is the act of wearing items of clothing and other accoutrements commonly associated with the opposite sex within a particular society. Almost every human society throughout history has had expected norms for each gender relating to style, color, or type of clothing they are expected to wear, and likewise most societies have had a set of guidelines, views or even laws defining what type of clothing is appropriate for each gender.
The term cross-dressing refers to an action or a behavior, without attributing or implying any specific causes or motives for that behavior. Cross-dressing is not synonymous with being transgender. The phenomenon of cross-dressing is not new: it was referred to in the Hebrew Bible.
The Anglo-Saxon "cross-dresser" has largely superseded the Latinate " transvestite ", which has come to be seen as outdated and derogatory. In Havelock Ellis used the two terms, "cross-dressing" and "transvestism", interchangeably. The earliest citations for "cross-dress" and "cross-dresser" are and respectively.
Cross-dressing has been practiced throughout much of recorded history, in many societies, and for many reasons. Examples exist in Greek , Norse , and Hindu mythology. There is a rich history of cross-dressing found in folklore, literature, theater, and music, such as Kabuki and Korean shamanism. In the British and European context, theatrical troupes " playing companies " were all-male, with the female parts undertaken by boy players.
A wide variety of historical figures are known to have cross-dressed to varying degrees. Many women found they had to disguise themselves as men in order to participate in the wider world. For example, Margaret King cross-dressed in the early nineteenth century to attend medical school, as none would accept female students. A century later, Vita Sackville-West dressed as a young soldier in order to "walk out" with her girlfriend Violet Keppel , to avoid the street harassment that two women would have faced.
The prohibition on women wearing male garb, once strictly applied, still has echoes today in some Western societies which require girls and women to wear skirts, for example as part of school uniform or office dress codes. Sometimes all trousers, no matter how loose and long, are automatically considered "indecent", which may render their wearer subject to severe punishment, as in the case of Lubna al-Hussein in Sudan in There are many different kinds of cross-dressing and many different reasons why an individual might engage in cross-dressing behavior.
In this case, a person's cross-dressing may or may not be apparent to other people. Some people cross-dress to shock others or challenge social norms.
Some people attempt to pass as a member of the opposite sex in order to gain access to places or resources they would not otherwise be able to reach. Gender disguise has been used by women and girls to pass as male, and by men and boys to pass as female.
Gender disguise has also been used as a plot device in storytelling, particularly in narrative ballads ,  and is a recurring motif in literature, theater, and film.
Historically, some women have cross-dressed to take up male-dominated or male-exclusive professions, such as military service. Conversely, some men have cross-dressed to escape from mandatory military service  or as a disguise to assist in political or social protest, as men in Wales did in the Rebecca Riots and when conducting Ceffyl Pren as a form of mob justice. Some girls in Afghanistan, long after the fall of the Taliban , are still disguised by their families as boys.
This is known as bacha posh. Single-sex theatrical troupes often have some performers who cross-dress to play roles written for members of the opposite sex travesti and trouser roles. Cross-dressing, particularly the depiction of males wearing dresses, is often used for comic effect onstage and on-screen.
Drag is a special form of performance art based on the act of cross-dressing. A drag queen is usually a male-assigned person who performs as an exaggeratedly feminine character, in heightened costuming sometimes consisting of a showy dress, high-heeled shoes, obvious make-up, and wig.
A drag queen may imitate famous female film or pop-music stars. A faux queen is a female-assigned person employing the same techniques. A drag king is a counterpart of the drag queen - a female-assigned person who adopts a masculine persona in performance or imitates a male film or pop-music star. Some female-assigned people undergoing gender reassignment therapy also self-identify as drag kings although this use of "drag king" would generally be considered inaccurate.
The modern activity of battle reenactments has raised the question of women passing as male soldiers. In , Lauren Burgess dressed as a male soldier in a U. National Park Service reenactment of the Battle of Antietam , and was ejected after she was discovered to be a woman. Burgess sued the Park Service for sexual discrimination.
In , a federal judge ruled in Burgess's favor. A transvestic fetishist is a person who cross-dresses as part of a sexual fetish. According to the fourth edition of Diagnostic and Statistical Manual of Mental Disorders , this fetishism was limited to heterosexual men; however, DSM-5 does not have this restriction, and opens it to women and men, regardless of their sexual orientation.
The term underdressing is used by male cross-dressers to describe wearing female undergarments such as panties under their male clothes. The famous low-budget film-maker Edward D. Wood, Jr. Sometimes either member of a heterosexual couple will cross-dress in order to arouse the other. See also forced feminization. Some people who cross-dress may endeavor to project a complete impression of belonging to another gender, including mannerisms, speech patterns, and emulation of sexual characteristics.
This is referred to as passing or "trying to pass" depending how successful the person is. An observer who sees through the cross-dresser's attempt to pass is said to have read or clocked them.
There are videos, books, and magazines on how a man may look more like a woman. Others may choose to take a mixed approach, adopting some feminine traits and some masculine traits in their appearance. For instance, a man might wear both a dress and a beard. This is sometimes known as genderfuck. In a broader context, cross-dressing may also refer to other actions undertaken to pass as a particular sex, such as packing accentuating the male crotch bulge or, the opposite, tucking concealing the male crotch bulge.
The actual determination of cross-dressing is largely socially constructed. For example, in Western society, trousers have long been adopted for usage by women, and it is no longer regarded as cross-dressing. In cultures where men have traditionally worn skirt-like garments such as the kilt or sarong , these are not seen as women's clothing, and wearing them is not seen as cross-dressing for men. As societies are becoming more global in nature, both men's and women's clothing are adopting styles of dress associated with other cultures.
Cosplaying may also involve cross-dressing, for some females may wish to dress as a male, and vice versa see Crossplay. Breast binding for females is not uncommon and is one of the things likely needed to cosplay a male character.
In most parts of the world it remains socially disapproved for men to wear clothes traditionally associated with women.
Attempts are occasionally made, e. Cross-dressers have complained that society permits women to wear pants or jeans and other masculine clothing, while condemning any man who wants to wear clothing sold for women. While creating a more feminine figure, male cross-dressers will often utilize different types and styles of breast forms , which are silicone prostheses traditionally used by women who have undergone mastectomies to recreate the visual appearance of a breast.
While most male cross-dressers utilize clothing associated with modern women, some are involved in subcultures that involve dressing as little girls or in vintage clothing.
Cross-dressers may begin wearing clothing associated with the opposite sex in childhood, using the clothes of a sibling, parent, or friend. Some parents have said they allowed their children to cross-dress and, in many cases, the child stopped when they became older. The same pattern often continues into adulthood, where there may be confrontations with a spouse, partner, family member or friend. Married cross-dressers can experience considerable anxiety and guilt if their spouse objects to their behavior.
Sometimes because of guilt or other reasons cross-dressers dispose of all their clothing, a practice called "purging", only to start collecting other gender's clothing again. Celebrations of cross-dressing occur in widespread cultures.
The historical associations of maleness with power and femaleness with submission and frivolity mean that in the present time a woman dressing in men's clothing and a man dressing in women's clothing evoke very different responses. A woman dressing in men's clothing is considered to be a more acceptable activity.
Advocacy for social change has done much to relax the constrictions of gender roles on men and women, but they are still subject to prejudice from some people. The reason it is so hard to have statistics for female-assigned cross-dressers is that the line where cross-dressing stops and cross-dressing begins has become blurred, whereas the same line for men is as well defined as ever.
This is one of the many issues being addressed by third wave feminism as well as the modern-day masculist movement. The general culture has very mixed views about cross-dressing. A woman who wears her husband's shirt to bed is considered attractive while a man who wears his wife's nightgown to bed may be considered transgressive. Marlene Dietrich in a tuxedo was considered very erotic; Jack Lemmon in a dress was considered ridiculous. Thus when a male cross-dresser puts on his clothes, he transforms into the quasi-female and thereby becomes an embodiment of the conflicted gender dynamic.
Following the work of Butler , gender proceeds along through ritualized performances, but in male cross-dressing it becomes a performative "breaking" of the masculine and a "subversive repetition" of the feminine. Psychoanalysts today do not regard cross-dressing by itself as a psychological problem, unless it interferes with a person's life.
I'm a cross-dresser and I don't want to keep it confined to my circle of friends, or my party circle, and I want to take that to my wife and I don't understand why she doesn't accept it, or I take it to my office and I don't understand why they don't accept it, then it's become a problem because it's interfering with my relationships and environment.
Cross-dressing is a traditional popular trope in British comedy. The Monty Python comedy troupe donned frocks and makeup, playing female roles themselves while speaking in falsetto. Women dressed as men, and less often men dressed as women, is a common trope in fiction  and folklore. For example, in Norse myth , Thor disguised himself as Freya. In science fiction , fantasy and women's literature , this literary motif is occasionally taken further, with literal transformation of a character from male to female or vice versa.
Other popular examples of gender disguise include Madame Doubtfire published as Alias Madame Doubtfire in the United States and its movie adaptation Mrs. Doubtfire , featuring a man disguised as a woman. The 10th edition of the International Statistical Classification of Diseases and Related Health Problems lists dual-role transvestism non-sexual cross-dressing  and fetishistic transvestism cross-dressing for sexual pleasure as disorders.
From Wikipedia, the free encyclopedia. Practice of dressing and acting in a style or manner traditionally associated with the opposite sex. History of cross-dressing. Key elements. Passing Transvestism. Modern drag culture.
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